Wednesday, April 16, 2014

Prayer Ropes For St Demetrios Available Online!



As stated earlier, we are making prayer ropes to sell to raise funds for the St. Demetrios Mosaic Project. 

You can now purchase your Prayer Rope online using PayPal to help contribute towards the purchase of materials for the St Demetrios Mosaic Project. 100% of the money raised goes towards the project. The prayer ropes are available via Byzantia Icons

Tuesday, April 15, 2014

Painting the Icon (Part One) - Transferring The Image On To the Icon Board


With the sketch completed, the time has come to begin painting the Icon onto an icon board.
The icon board is a wooden board onto which 12 layers of gesso has been applied and sanded in between each coat to leave a smooth, ivory-like finish.The sketch is then traced on to tracing paper.
The prepared Icon Board.


 The image is then traced on to the board using a special "carbon paper". The "carbon paper" is a sheet of art paper on which is rubbed the dry pigment of Burnt Sienna.

Burnt Sienna being rubbed on to art paper to produce "carbon paper".


The prepared "carbon paper"


















T






The "carbon paper" is then placed face down onto the surface of the icon board and secured.

Securing the "carbon paper" on to the icon board.




The tracing paper image is then secured on top of the "carbon paper"

Placing the tracing paper image over the "carbon paper".

The image is then traced over again:

Tracing the image.

When the image is traced, the tracing paper and "carbon paper" are removed, and we are left with a feint, burnt sienna image of the icon on the icon board which can be painted over.

the image on the icon board.




















Thursday, April 10, 2014

Reflections on Iconography and Life

The original sketch
The new sketch











"Not a knowledge that you learn, but a knowledge that you suffer. That is Orthodox spirituality."   -Eldress Gavrielia 

 The sketch for the icon has changed, particularly with the Saint's armor where a more angular design was chosen to emphasize the Saint's manliness.

 Iconography and Orthodox spiritual life have a lot in common because, of course, they cannot exist without each other. Icons are an integral part of Orthodox theology, since they are ultimately about Christology. Christ became incarnate and sanctified the matter of the universe, therefore we can use matter to depict Him and His Saints.

When designing an icon, we begin with prayer and then the sketch. The iconographer is not really an artist. The Artist is God, and the iconographer strives to be His instrument. But the iconographer is a human instrument living under the conditions of the Fall. In sketching the icon, the iconographer sits with their design and continually looks for ways of improving it. This means using the eraser as much as we use the pencil. And Orthodox spiritual striving is like this also, is it not? It is not an end but a continual process, a journey towards God which continues throughout this life and the next. We fall, we get up, we improve, we see ways of improving more, we fall again, we get up again and so on.

Sometimes, the iconographer sits with a sketch and looks at it for a long time. They know something is wrong, but can't quite put their finger on it. They pray, they study, they look at more perfect models, they seek advice from the more experienced, and then, God willing, they see what needs to be erased and changed, what needs to be added or subtracted. Just like all of life and especially spiritual life.